Inventory Of Dynamics In Art Markets
Each art market shapes to its context. I look only at markets that shape around competitive choices of commitments by a group of producers who lie intermediary between the sources they craw upon and the buyers they deliver to. Today I apply to art markets an explicit model for profiles of commitments that can sustain flows from procurement side through the producers to the buyer side.
Markets and Identities: Modeling Fine Arts and Valentines
Harrison C. White, Giddings Professor of Sociology, Columbia University
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